Reading the Scarlet Letter is something high school English teachers have insisted upon for years. It's a classic. Its author is said to have forged a glittering path for great American literature. It is a culturally significant work to which many sayings, subsequent works of literature, and films have alluded. This is all true. As we read a work like this, it is easy to get caught up and tangled in the older more eloquent language and the extremely religious lifestyle and culture of American Puritans. As we read Hester's story, we shake our heads in disbelief. Who could imagine a society in which personal private decisions are against the law, and punishable in a very public way?
Adultery, while a breach of the marriage contract, is not a legal matter anymore. It is not against the law to be punishable by prison time and social ostracization. But we are very naive if we believe that private decisions and actions/behaviors go unpunished in today's society. We are even more naive if we believe that sins like promiscuity or adultery do not face heavy social penalties despite the fact that they are not within arm's reach of the law.
If Hester Prynne were alive and real today, she may not have spent three months in a physical jail cell, but in many ways, I am sure it would have felt like that. There are no more town center platforms complete with hanging scaffolds and stocks, but social media has raised public humiliation to an all-time new high and extended the critical stares and pointing fingers out and beyond the town walls.
So, while we may not be able to imagine living in a society that can legally have a person shunned and socially banned for scandalous decisions, the effect is ultimately the same: the one charged with the sin and convicted on Facebook, Twitter or Snapchat is still left with a very clear message that he or she is social pariah.
I find it quite appropriate that we are reading Hawthorne's The Scarlet Letter through the season of Lent in preparation for Easter and the advent of spring. Many of us are observing Lent, a time when we reflect on our significance, the preciousness of life, and the grace of redemption. The season of spring, itself, likewise, is often seen as a time of renewal and growth. This is what Hester Prynne sought in the sunlit forest. It is what many people today seek in the warmth of a smile, a kind word, a forgiving heart or a compassionate ear.
In the following TED Talk, Monica Lewinsky, a woman all too familiar with living in the spotlight of technologically advanced shaming, shares a little bit of her personal story of what it is like to be branded with the scarlet A and explains why she has chosen this time in her life to stand up and do something about it. The biggest message? The price of shame since Hester's time has escalated, and sometimes it is ultimately too high for the victim to pay. Watch the video and then comment on two things: what spoke to you the loudest and what YOU will personally do to change our shame culture today.
We live in interesting times. We feel more sophisticated, yet our own petty and cruel natures still surface in even more deadly ways. We feel more accepting of different beliefs and lifestyles, yet have the ability to smear a man's or woman's reputation irreparably with the click of the mouse. We shake our heads at racism, sexism, and discrimination and then turn to our friends and share malicious gossip about someone else, all the time telling ourselves, "I may make mistakes, but I would NEVER do what she did!" So, that begs the question then: what do we do to change all that?
When gossip is shared in the hallways, walk away. Don't take part in it or even give it your listening ear. If someone is being bullied or whispered about, stand up for him or her rather than remaining silent. And, if someone is being ostracized or shamed online, reach out to the victim and counter it with a word of encouragement and then report it. Brene Brown, psychologist and expert on shame, tells us that "shame cannot survive empathy." The price of public shaming can ultimately be death: emotional and, if it gets too hard to bear, even physical. The weapon we need to fight this deadly poison is compassion...
Make sure your arsenals are full.
Seniors who are on field trip: please respond below with two things...
1. Your discussion points for chapters 19-20
2. Your response to the TED Talk: what spoke to you, what will you do to change the shame culture that is alive and well today.
Ted Talk Link: https://www.ted.com/talks/monica_lewinsky_the_price_of_shame?language=en
Saturday, February 29, 2020
Wednesday, February 12, 2020
WILLIAM SHAKESPEARE: IN LEARNING, LANGUAGE, & LOVE
IN LEARNING
Shakespeare's power of imagination was as fertile as that of any man known to history, but he had another power which is quite rare in the high tech, fast-paced world of today: the power of absorbing or assimilating the fruits of reading. Spenser, Milton, Burns, Keats, and Tennyson had a like power, but probably none had it to quite the same degree as Shakespeare. In his case, as in the case of the other poets, this power of assimilation strengthened and rendered more robust the productive power of his imagination.
IN LANGUAGE
Shakespeare's readers can find themselves caught in a series of implicit choices where, for example, a particular wording or phrasing may correspond to a specific stylistic effect, which is used by the author to persuade the audience. All of Shakespeare's plays draw on the resources of rhetoric, which is not considered as a mere method of composition, but also a tool to experiment with language. Linguistically, Shakespeare's manipulation of language serves to construct characters, conflicts, and themes. As readers of his texts and audience members of his plays, we are challenged to analyze Shakespeare's choices at the levels of word and phrase, and at a more abstract, figurative level, specifically in relation to how those word and phrase choices reveal power or powerlessness. In this regard, we focus on sound devices, such as alliteration and onomatopoetic phrasing, a range of metaphoric usage--chiefly metaphor, imagery, and symbolism. Technically, we complete a simple analysis of metrical features, such as iambic meter, rhythm, and rhyme. Through the study of Shakespeare's works, we can draw clear connections between the meaning elicited from a text and how Shakespeare went about creating that meaning stylistically.
IN LIFE
Shakespeare never goes stale. And there are good reasons for that. Through the years, Odyssey scholars have studied the plays of A Midsummer Nights Dream, Julius Caesar, Twelfth Night, Romeo and Juliet, Macbeth, Taming of the Shrew, Much Ado About Nothing, and Hamlet. As your experience with Shakespeare's texts expand, so does your understanding and appreciation of the author's work and its connections to life. Shakespeare has been done and redone hundreds of times in settings as varied in time and place as one can imagine. Shakespeare had a profound understanding of humankind: our struggles, our desires, our hopes, and our fears. These common sufferings and triumphs connect the characters on his stage with those people we meet in real life. This is what it means to be universal. No matter how old we are, where we live, or in what time, all boundaries can fade to nothing in a tale of Shakespeare. As the characters fall in love, so do we; as they grow enraged at injustice, so do we; as they are overcome with jealousy or humiliation, we blush crimson right along with them. The brilliance of Shakespeare comes through his mastery of the mechanics of the English language to elaborate on his intrinsic knowledge of the human psyche.
IN LOVE
Each year, the English Speaking Union invites students and their teachers/directors who share a love and enthusiasm for the Great Bard to participate in their National Shakespeare Competition. It all starts in the classroom. Schools all over the country conduct in house, school-wide Shakespeare competitions in which scholars present a memorized monologue of no more than twenty lines. After the school selects a winner, they are sent along with other scholars across their state, to compete at the branch level. This time, they present their monologue and one of Shakespeare's sonnets.
The lucky scholar selected at the branch level is then flown out for a week-long trip to New York
City, where they dine, are entertained and have the opportunity to mingle with other branch winners and students of the infamous Julliard School. The grand finale, however, is that each student gets to perform his/her monologue, sonnet and a cold read on the stage at Lincoln Center in the National competition. The competition is stiff. Every scholar brings with him or her a uniquely brilliant interpretation of a beloved work. The judges no doubt agonize over their decision, but only one lucky scholar will be chosen as the grand prize winner. This scholar will win an all-expenses-paid trip in the summer to study at The Royal Academy of Dramatic Art. A second-place scholar at the competition will earn an all-expenses-paid trip to study Shakespeare with other classical actors in Staunton, Virginia, including tuition, transportation, food, and accommodations. The third-place scholar wins a $500 scholarship from The Shakespeare Society of New York City.
Here below, enjoy watching the winning performances of 2015 and 2016. Then, you will watch an inspirational, educational video by the creators and actors of the Oscar award-winning film, Shakespeare in Love. I promise you will enjoy it! It is about 45 minutes in length, so allow for some time to put your feet up, brew some tea or hot chocolate, and enjoy! It looks at the life and art of William Shakespeare through the lens of his play, Romeo and Juliet. For your post, please comment on the story, what you learned and anything specific that impressed you, and then see how it all comes together at the end: summary, poetry and then...the color! It is DEFINITELY worth the time...for, as we know, "Never was a story of more woe than that of Juliet and her Romeo..."
https://www.youtube.com/watch?v=8ApO737h61M
Shakespeare's power of imagination was as fertile as that of any man known to history, but he had another power which is quite rare in the high tech, fast-paced world of today: the power of absorbing or assimilating the fruits of reading. Spenser, Milton, Burns, Keats, and Tennyson had a like power, but probably none had it to quite the same degree as Shakespeare. In his case, as in the case of the other poets, this power of assimilation strengthened and rendered more robust the productive power of his imagination.
Shakespeare's readers can find themselves caught in a series of implicit choices where, for example, a particular wording or phrasing may correspond to a specific stylistic effect, which is used by the author to persuade the audience. All of Shakespeare's plays draw on the resources of rhetoric, which is not considered as a mere method of composition, but also a tool to experiment with language. Linguistically, Shakespeare's manipulation of language serves to construct characters, conflicts, and themes. As readers of his texts and audience members of his plays, we are challenged to analyze Shakespeare's choices at the levels of word and phrase, and at a more abstract, figurative level, specifically in relation to how those word and phrase choices reveal power or powerlessness. In this regard, we focus on sound devices, such as alliteration and onomatopoetic phrasing, a range of metaphoric usage--chiefly metaphor, imagery, and symbolism. Technically, we complete a simple analysis of metrical features, such as iambic meter, rhythm, and rhyme. Through the study of Shakespeare's works, we can draw clear connections between the meaning elicited from a text and how Shakespeare went about creating that meaning stylistically.
IN LIFE
Shakespeare never goes stale. And there are good reasons for that. Through the years, Odyssey scholars have studied the plays of A Midsummer Nights Dream, Julius Caesar, Twelfth Night, Romeo and Juliet, Macbeth, Taming of the Shrew, Much Ado About Nothing, and Hamlet. As your experience with Shakespeare's texts expand, so does your understanding and appreciation of the author's work and its connections to life. Shakespeare has been done and redone hundreds of times in settings as varied in time and place as one can imagine. Shakespeare had a profound understanding of humankind: our struggles, our desires, our hopes, and our fears. These common sufferings and triumphs connect the characters on his stage with those people we meet in real life. This is what it means to be universal. No matter how old we are, where we live, or in what time, all boundaries can fade to nothing in a tale of Shakespeare. As the characters fall in love, so do we; as they grow enraged at injustice, so do we; as they are overcome with jealousy or humiliation, we blush crimson right along with them. The brilliance of Shakespeare comes through his mastery of the mechanics of the English language to elaborate on his intrinsic knowledge of the human psyche.
Each year, the English Speaking Union invites students and their teachers/directors who share a love and enthusiasm for the Great Bard to participate in their National Shakespeare Competition. It all starts in the classroom. Schools all over the country conduct in house, school-wide Shakespeare competitions in which scholars present a memorized monologue of no more than twenty lines. After the school selects a winner, they are sent along with other scholars across their state, to compete at the branch level. This time, they present their monologue and one of Shakespeare's sonnets.
The lucky scholar selected at the branch level is then flown out for a week-long trip to New York
City, where they dine, are entertained and have the opportunity to mingle with other branch winners and students of the infamous Julliard School. The grand finale, however, is that each student gets to perform his/her monologue, sonnet and a cold read on the stage at Lincoln Center in the National competition. The competition is stiff. Every scholar brings with him or her a uniquely brilliant interpretation of a beloved work. The judges no doubt agonize over their decision, but only one lucky scholar will be chosen as the grand prize winner. This scholar will win an all-expenses-paid trip in the summer to study at The Royal Academy of Dramatic Art. A second-place scholar at the competition will earn an all-expenses-paid trip to study Shakespeare with other classical actors in Staunton, Virginia, including tuition, transportation, food, and accommodations. The third-place scholar wins a $500 scholarship from The Shakespeare Society of New York City.
Here below, enjoy watching the winning performances of 2015 and 2016. Then, you will watch an inspirational, educational video by the creators and actors of the Oscar award-winning film, Shakespeare in Love. I promise you will enjoy it! It is about 45 minutes in length, so allow for some time to put your feet up, brew some tea or hot chocolate, and enjoy! It looks at the life and art of William Shakespeare through the lens of his play, Romeo and Juliet. For your post, please comment on the story, what you learned and anything specific that impressed you, and then see how it all comes together at the end: summary, poetry and then...the color! It is DEFINITELY worth the time...for, as we know, "Never was a story of more woe than that of Juliet and her Romeo..."
https://www.youtube.com/watch?v=8ApO737h61M
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